{"id":9690,"date":"2023-12-15T11:36:40","date_gmt":"2023-12-15T09:36:40","guid":{"rendered":"https:\/\/arhitektuuripreemiad.ee\/?post_type=press&p=9690"},"modified":"2023-12-16T12:00:58","modified_gmt":"2023-12-16T10:00:58","slug":"the-laureates-of-the-2023-architecture-awards-have-been-announced","status":"publish","type":"press","link":"https:\/\/arhitektuuripreemiad.ee\/en\/press\/the-laureates-of-the-2023-architecture-awards-have-been-announced\/","title":{"rendered":"The laureates of the 2023 architecture awards have been announced"},"content":{"rendered":"

PRESS RELEASE
\nDecember 9, 2023<\/p>\n

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On Friday, December 8, at a festive award ceremony in Lillepavilion, the Estonian Architecture Awards of the year were handed out and the best architectural works and architects were recognized.<\/strong><\/p>\n

The architecture endowment fund of the Cultural Endowment of Estonia, the Association of Estonian Architects, the Association of Estonian Interior Architects, the Association of Estonian Landscape Architects and the architectural magazine MAJA awarded a total of 14 laureates this year – the authors of the most outstanding achievements and works in the field of Estonian architecture.<\/p>\n

The architecture endowment of the Cultural Endowment of Estonia awarded four architecture awards:<\/strong><\/p>\n

The Annual Award went to the <\/strong>P\u00f5ltsamaa castle<\/strong><\/a>. <\/strong><\/p>\n

Architecture: Margit Argus, Eliise Harjak (studio ARGUS), Margit Aule (LUMIA); Birte B\u00f6er. Interior architecturer: Margit Argus, Elo Liina Kaivo (studio ARGUS), Margit Aule (LUMIA). Consultant: Artur \u00dcmar. Architecture (convention building wall and roof): \u00dclo Mahoni, Andrus Rehemaa (ARC Projekt). Landscape architecture: Margit Argus, Eliise Harjak (studio ARGUS), Margit Aule (LUMIA); Sulev Nurme (AB Artes Terrae); Britt M\u00e4ekuusk (Projektib\u00fcroo).<\/p>\n

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When the architects began the reconstruction, there were only walls left of the buildings, some of them at risk of\u00a0collapse, but now a heritage site that has been the pride and joy of the region was saved from destruction\u00a0and restored to its dignity and allows the\u00a0story of the castle to be told also to future generations. The challenge in the reconstruction was not so much in preserving the old but rather adding the new,\u00a0thus creating a symbolic bridge between the past and the present. According to the jury, the reconstruction project of P\u00f5ltsamaa castle and how it has been played out at the moment was surprising. There were several issues that would have been easy to label as questionable, however, in the given circumstances they at times appeared even genius. It features a balance of rawness and fineness, while the standard expectations are displaced by recycling and the (seemingly?) temporary solutions that in a sense give rise to a radical aesthetics.<\/p>\n

The Architecture Award went to <\/strong>the Pelgulinna State Secondary School<\/strong><\/a> of Tallinn. <\/strong>Architecture: Ott Alver, Alvin J\u00e4rving, Mari Rass, Kaire Koidu, J\u00f5nn Sooniste, Katrin Vilberg, Lisett Eist, Karoliine Kuus (Arhitekt Must). Interior architecture: Tarmo Piirmets, Anni Leo (Pink). Landscape architecture: Mirko Traks, Uku Mark P\u00e4rtel, Kristjan Talvistu, Juhan Teppart, Karin Bachmann, Katariina Lepiku (Kino maastikuarhitektid).<\/p>\n

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Pelgulinna State Secondary School is an example of how wood is an excellent material to create an environment that supports learning and development. As much as 85% of the Pelgulinna school building is made of wood. Since it is a public building, it sets an example and\u00a0encourages also other developers and architects\u00a0\u2013 wood can be used in large-scale buildings. Pelgulinna State Secondary School brings\u00a0together excellent conditions for students and teachers and independent architectural quality\u00a0with its impressive architectonics also shaping the surrounding area.<\/p>\n

The award for the Activity in the Field of Architecture went to <\/strong>Toomas Paaver<\/strong><\/a>, <\/strong>\u00a0who has worked as an architect in places where his colleagues have not really wanted\u00a0to go and with topics that tend to remain in the background: developed national planning at the\u00a0Ministry of the Interior, worked as a city architect, drawn up competition briefs and study\u00a0materials, conducted research, familiarised himself with legislative drafting and represented\u00a0civil associations in numerous planning wranglings. \u00a0His action has steered spaces that are not\u00a0born yet. Traces of his activity are present in various built environments where we may not even suspect\u00a0it. For example, architects now study in the new building of the Estonian Academy of Arts that\u00a0is based on the brief drawn up by him in 2014. Or, for about ten years already, the Estonian\u00a0architecture competition guidelines forming the basis\u00a0for most of the local architecture\u00a0competitions\u00a0have relied on his wording and structure. Toomas Paaver, the winner of the award for the activity in the field of architecture, is in a\u00a0league of his own in Estonian architecture\u00a0\u2013 there is currently no other architect with such a\u00a0sense of mission working in public interest and not only conceptualising architecture from the\u00a0public perspective but also practising\u00a0it\u00a0from the given position.<\/p>\n

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The Exhibition Award went to the exhibition <\/strong>\u201cForecast and Fantasy: Architecture Without Borders, 1960s to 1980s\u201d<\/strong><\/a>. <\/strong>Curators: Andres Kurg, Mari Laanemets. Exhibition design: Kaisa S\u00f6\u00f6t. Graphic design: Indrek Sirkel.<\/p>\n

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At the research exhibition \u2018Forecast and Fantasy\u2019 acuteness and intellectual depth could be experienced. \u00a0Focusing\u00a0on East-European conceptual architecture and drawing it together with selected parallels from the\u00a0West, this exhibition presented a new reading of the so-called \u2018postmodern turn\u2019 in\u00a0architecture that\u00a0took place during the 1960s to the 1980s. During the Cold War,\u00a0both\u00a0in the East and the West, the race in science and technology corresponded\u00a0with a vision for a\u00a0new kind of future that would be radically different from the present. Scientists modelled various scenarios of what was to come. Ironically, in retrospect the forecasts made during that period tended to show not so much what was\u00a0to come in the future but rather the intellectual and imaginary paradigms of their present.<\/p>\n

The jury of the architecture endowment of the Cultural Endowment of Estonia included architects Emil Urbel and Kai S\u00fcda, designers Eva Liisa Kubinyi, Marit Ilison and Kristjan M\u00e4ndmaa and <\/em>architectural researcher Epp Lankots and architectural historian Mait V\u00e4ljas.<\/em><\/p>\n

The Association of Estonian Architects awarded an annual Architect Award, a Residential Building Award, and a Student Award:<\/strong><\/p>\n

Annual Architect Award<\/strong> 2023 went to <\/strong>Paide Secondary School<\/strong><\/a>. <\/strong>Architecture Ralf L\u00f5oke, Maarja Kask, Helina Lass, Ragnar P\u00f5llukivi, Martin McLean (Salto AB). Interior architecture: Birgit Palk, Tarmo Piirmets, Raul Tiitus (Pink).<\/p>\n

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The former girls\u2019\u00a0school building is one of the most beautiful historical school buildings in\u00a0Estonia.\u00a0The school building is located in a beautiful natural location, On the slope of the hill near the ruins of Paide Order Castle and the park around it. The design of the new\u00a0school was not supposed to compete with the existing building, but rather highlight it with its\u00a0simple form and position. An important role in the symbiosis of the old and the new was played\u00a0by the relief of the plot, allowing to play with the height of floors. The sloped ceilings bring the public areas on three levels\u00a0visually together into a large living-room-like space, while the pitched roofs outside have a\u00a0mellow small-town-like feel next to the gabled roofs of the neighbouring plot. The new building is highly inspiring with the accentuated diverse space stretching over various levels\u00a0and inviting you to move, use it and communicate with its other users.\u00a0Paide school aligns the entire\u00a0plot, creates a cosy courtyard are as well as a public connecting path between Posti and Valli Streets. Familiar features from Salto\u2019s earlier Works are also the connections between the building and\u00a0the new landscape as well as the roof landscape in the form of steps.\u00a0If in case of\u00a0some earlier buildings they needed to create the landscape themselves, then the plot in Paide\u00a0already included intriguing features in the relief with the difference in height\u00a0near the moat reaching\u00a0up to 5 meters.<\/p>\n

Residential Building Award<\/strong> 2023 went to <\/strong>P\u00f5ro House<\/strong><\/a>. <\/strong>Architecture, landscape architecture: Mari Hunt, Hanna Karits.<\/p>\n

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P\u00f5ro farm is located in the midst of the deep lakes, old-growth forests and golden rolling hillocks in\u00a0R\u00f5uge.\u00a0\u00a0An impetus for the restoration of old historical buildings came from grandmother whose\u00a0fine example\u00a0also inspired the younger generation who wished to build a new house on\u00a0the old\u00a0rubble cellar walls that allowed to restore the former farmyard layout.\u00a0P\u00f5ro house can be called a construction within a 30-kilometer radius \u2013 the entire construction team is local and the material for the house also came from the nearby forest. Historical substance, architecture and interior elements and built-in furniture are interwoven into\u00a0one whole, simultaneously honouring the heritage of the past and creating a beautiful contemporary\u00a0space.\u00a0\u00a0The task of the building seems quite simple, but its unexpected solution shows that\u00a0there was a close cooperation between the client, the architect, the interior architect, and the\u00a0craftsmen, maybe even a perfect match, which has resulted in an effective building core where every\u00a0turn of the client seems considered. \u00a0Thought through functionality in combination with sensitive use\u00a0of materials makes excellent and unique result of seemingly common typology.<\/p>\n

Student Award went to <\/strong>Kertu Johanna J\u00f5este\u00a0<\/strong><\/a>and her Master\u2019s thesis <\/strong>\u201cReciprocal Timber Frame\u00a0Structures\u201d.The core of her thesis is the construction method named in the title discussed in the context of\u00a0cross-disciplinary design process, sustainability and material-based design. <\/strong>Through the\u00a0presentation of the construction method, Kertu draws attention to the importance of\u00a0the cooperation between architecture, engineering, and construction in the context of\u00a0sustainable architecture, linking it to the concepts of material-based, low-technology\u00a0as well as modular and adaptable design.<\/p>\n

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The best residential building was selected by a jury consisting of architects Joel Kopli and Madis Eek, interior architect Kadi Karmann, and external expert Linda Krumina from the Latvian architecture office MADE architect. The selection for the Annual Architect Award was made by Heike Hanada, a German architect and professor of architecture and urban planning at Dortmund University of Technology. The jury of the student award included architects Vahur Sova and Merilin Kaup and architectural researcher Epp Lankots.<\/em><\/p>\n

The Estonian Association of Interior Architects issued two annual awards and a Vello Asi\u2019s name award for students:<\/strong><\/p>\n

The laureate of the Interior Architecture Award 2023 is the interior architecture bureau Pink (Tarmo Piirmets, Anni Leo, Raul Tiitus and Birgit Palk)<\/strong>. Eminent interior architects work at the Pink bureau, whose portfolio includes several educational buildings. This year, they have been featured thanks to the interiors of the newly built Pelgulinna<\/a>and Paide<\/a> State Secondary Schools, which have been successful. Pink’s interior architects design schools with great care. Their desire is to create a complete environment, not to compete in concept with the exterior and space of the building. Cooperation with architects plays an important role. If initially opinions may differ, in a good team confrontation is one of the ways to reach the best result.<\/p>\n

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The laureate of the Interior Architecture Award 2023 is interior architect<\/strong> Hanna Karits. <\/strong>Hanna Karits is an interior architect, whose personal handwriting and apt understanding of the client have drawn attention to her work for a long time. This year, three objects completed with the participation of Hanna Karits \u2013 the Wiigi house<\/a> in Haapsalu, the Bestwine<\/a> wine store and the P\u00f5ro house<\/a> in South Estonia \u2013 have been highlighted in the annual awards competition of the Estonian Association of Interior Architects, and with good reason. These works exude thoughtfulness down to the last detail, refined taste and harmony between the new space, the existing environment, and the wishes of the customer.<\/p>\n

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Vello Asi\u2019s name award for students<\/strong> went to Sven Samyn<\/strong>, 3rd year interior architecture student of the Estonian Academy of Arts. According to J\u00fcri Kermik, professor of the interior architecture department of the Estonian Academy of Arts, Sven is one of those good interior architecture students for whom studies have never been limited to just keeping up with the class schedule and showing their face in lectures. Sven has been able to develop active communication and a chain of events, during which the learning-teaching process turns into an interesting dialogue. It is in Sven’s nature to look for opportunities to create spatial added values through professional skills and creative means. It offers positive surprises to fellow students, lecturers, and Sven himself.<\/p>\n

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The jury of the Estonian Association of Interior Architects included architect Heleri N\u00f5mmik (Norway), interior architect Aulo Padar, interior architect Liina Langemets, architect Andres Ojari and art historian Eik Hermann.<\/em><\/p>\n

Estonian Association of Landscape Architects<\/strong> issued three annual awards:<\/strong><\/p>\n

Laureate of the annual award for landscape architecture 2023 \u2013 <\/strong>Uus-Veerenni park<\/strong><\/a>. <\/strong>Landscape architecture: Juhan Teppart, Mirko Traks, Uku Mark P\u00e4rtel, Karin Bachmann, Katariina Lepiku, Kristjan Talistu, Liina-Kai Raivet (Kino maastikuarhitektid). Busts “Toys”: Jass Kaselaan.<\/p>\n

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The use of materials acquired from demolished buildings in construction new buildings and\/or\u00a0outdoor spaces has not become a norm yet in Estonia, it still tends to be an exception. Often, replacing things with new ones is not related to their poor condition but to the widely\u00a0accepted mindset that the new always means better and the old is definitely worse. In many\u00a0cases, the reverse could be true in terms of quality. In Uus-Veerenni, the old foundation slab was broken smaller on the edges, the concrete pieces were piled for children\u00a0to climb and the resulting space smoothly linked itself to the recognisable playground with its\u00a0swings and climbing frames. Elsewhere, the tarmac of the warehouse was transformed with\u00a0cuts into a resting and playing area.\u00a0The trees and bushes spontaneously growing between the tarmac and foundation at the edge\u00a0of the plot received similar care. Playing with existing material also had another ulterior motive. Old and rough random\u00a0materials with no heritage value should ideally have a liberating effect on the people moving\u00a0into the new house and district: outside their new flat designed into a product and their\u00a0immediate surroundings, they can find an unforced environment taking one\u2019s thoughts from\u00a0the mundane to the eternal and poetic.<\/p>\n

Laureate of the annual award for landscape architecture 2023 <\/strong>\u2013 <\/strong>The exposition area \u201cThe Cloud Forest\u201d of Tallinn Zoo<\/strong><\/a>. <\/strong>Landscape architecture: Eneli Niinepuu, Jaan Mettik (Sala Terrena), Ragne Sauman (ConArte). Architectural consultation: Riin Kersalu (Kersalu projektb\u00fcroo).<\/p>\n

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The landscape architectural project for the interior of the exposition area was a serious challenge.\u00a0Within only two months, architects needed to familiarise themselves with the plants of Southeast Asia as\u00a0well as the needs of the animals inhabiting the designed space. Since it is not possible to create a real tropical rain forest in such a small area, we tried to pick\u00a0details that would allow us to tell the visitors about the world\u2019s most diverse ecosystem\u00a0characterised by amazingly functional cooperation as well as merciless competition. To introduce various plant groups, the areas are sectioned including, for instance,\u00a0edible plants\u00a0such as banana, cardamon and black pepper, a\u00a0\u2018forest\u2019 of tree-line ferns etc. Since tropical trees\u00a0start to grow their intriguing buttress roots when they are dozens of metres tall, a dead tropical\u00a0trunk had to be brought in to introduce the adaptation. Thus, in addition to admiring animals, also\u00a0plant tours may be given. In cooperation with the zoo, also more comfortable cages and terrariums set in artificial rock were\u00a0created, however, a crucial role is played by animals freely moving about in the house and thus, in\u00a0turn, shaping the vegetation.<\/p>\n

Laureate of the annual award for landscape architecture 2023 \u2013 <\/strong>the book “Indispensable outdoor space”<\/strong><\/a>. <\/strong>Authors: Karin Bachmann, Mirko Traks, Juhan Teppart, Kristjan Talistu (Kino maastikuarhitektid). Publisher: Kino maastikuarhitektid, 2023. Photos: Kristjan Talistu. Text editor: Piret P\u00f5ldver (P\u00e4evakera). Translation: P\u00e4evakera. Graphic design: Martin R\u00e4sta (Baas Disain)<\/p>\n

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So far, no books have been written about contemporary Estonian landscape architecture. There\u00a0have been textbooks, overviews of historical parks, gardening books etc, but the starting points,\u00a0reasons, and methods of creating high-quality outdoor (urban) spaces have been systematically\u00a0reflected only in the articles of specialised journals. With the help of Kino landscape architects\u2019 work experience, the book attempts to answer the\u00a0following questions: what is a good outdoor space like, what should be considered in its creation,\u00a0what is done for whom and how, and what are the priorities in its design? Answers are provided\u00a0by architects, landscape architects, a semiotician, a media advisor etc.\u00a0Illustrations include\u00a0solutions designed and built (and largely also awarded) in Estonia that meet the criteria of a good\u00a0outdoor space.\u00a0The book illustrates how many\u00a0problems could be solved with landscape architecture, starting from ecological issues to diversifying\u00a0children\u2019s games and material circulation. he collection in a grey calico binding features a colourful and\u00a0diverse overview of the works of Kino that form the beacon lighting the way in Estonian landscape\u00a0architecture.<\/p>\n

The jury of the <\/em>Estonian Association of Landscape Architects<\/em> included landscape architects Ilze Ruk\u0161\u0101ne, Kersti Lootus, Laura M\u00e4nnamaa, Rutt Piir and Kristiina Kupper. <\/em><\/p>\n

Maja magazine spatial publication award 2023<\/em><\/strong><\/p>\n

Madli Kaljuste article “Radio. Riches. Repository\u2019<\/strong><\/a><\/p>\n

\u201eThe bank building standing on an old industrial frame on Narva Road proves its ability to also serve as a public library. The obligation to survive various eras and situations is common to both buildings and people\u201d, Madli Kaljuste ponders.<\/p>\n

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There seems to be a new layer emerging in Estonian architecture that had been forgotten for a\u00a0while\u00a0\u2013the buildings constructed in late 1990s and early 2000s. Many of them are already\u00a0being destroyed in the process, as they have come or are coming under an increasingly intensive\u00a0pressure of reconstruction or demolition. Madli Kaljuste shows that the phenomenon deserves\u00a0a discussion by adding an architect\u2019s point of view to the topic of transitional architecture raised\u00a0by architecture historians and exhibitions\u00a0\u2013and,\u00a0in the process, she experiments with different\u00a0ways to explore the layering that is already becoming a part of heritage. Her essay draws\u00a0attention to the area that is right under our nose every day but nevertheless sunk into oblivion\u00a0and periphery: the former industrial quarter Punane RET and Parda Street in Tallinn city centre\u00a0that was one of the first industrial areas to be reconstructed during the transitional period. Her\u00a0sensitive approach, fresh look and illustrations highlighting details in photos and drawings\u00a0bring out the dynamics and layers of the former Punane RET building and its transformation\u00a0into a bank and the temporary National Library building. Investigating, among other things,\u00a0how to adapt a building adapted to lending money to lending books, the article makes us think\u00a0if such a dynamic of replacing first industrial and then capitalist functions with public and\/or\u00a0communal functions should perhaps deserve wider resonance.<\/p>\n

Among the articles published in Maja magazine in 2023, the best was selected by professor Linda Kaljundi of the Estonian Academy of Arts.<\/em>\u00a0<\/em><\/strong><\/p>\n

The Estonian Architecture Awards were initiated in 2015 to jointly recognize the most outstanding achievements in the field of Estonian spatial design. All the nominees can be found on the website <\/em>www.arhitikturpreemiad.ee<\/em><\/a>. You can read more about all nominees and laureates in the publications Eesti Arhitektuuripreemiad 2023 and Ruumipilt 2023, which can be purchased after December 8 in major bookstores in Estonia or ordered from the architecture awards website.<\/em><\/p>\n

The awards are supported by the Cultural Endowment of Estonia. The student award of the Association of the Estonian Architects is financed by the offices of architects belonging to the union, this year <\/em>KARISMA, KUU and KAVAKAVA.<\/em><\/p>\n

Estonian Architecture Awards 2023 main supporters: Estonian Cultural Foundation,\u00a0<\/em>SEOS Valgustus, Thermory<\/em>
\n<\/em>Estonian Architecture Awards 2023 sponsors<\/em>: Floorin, Hals, Interstudio, Jung, Knauf, Lincona, Silman, Velux, Vivarec, Wermstock<\/em><\/p>\n

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Visual identity<\/span>: Unt \/ Tammik<\/i><\/p>\n<\/div>\n

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The full\u00a0TV broadcast<\/strong>\u00a0“<\/span>Estonian Architecture Awards 202<\/strong>3<\/span><\/strong><\/a>”\u00a0that <\/span>introduces the winners of this\u00a0year’s\u00a0awards,\u00a0thus providing an overview of the best of the best in Estonian architecture in 2023 can be found on our YouTube page<\/a>.<\/span><\/p>\n<\/div>\n

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